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quia respexit bach soprano

© 2000-2021 Bach Cantatas Website, Last update: Friday, June 02, 2017 01:29. the cantata Meine Seel erhebt den Herren BWV 10 composed for Visitation of 1724, in the chorale harmonisations BWV 323 and 324, and in the fourth Schübler Chorale BWV 648. The four Christmas interpolations are placed after the second, the fifth, the seventh and the ninth movement on the Magnificat text. Main Page Kuhnau's has five choral movements, like Bach's, but his second is verse 4 (instead of 3b for Bach), and his last is only verse 12, where for Bach that final chorus sets both verse 11 and 12. Later the orchestral writing thickens, returning from the. It is the only movement that Bach marked for a tempo at the beginning: Adagio. Ed. Nach dem Urtext der Neuen Bach-Ausgabe. [88], The D major version of Bach's Magnificat didn't appear in print before the Bach-revival that followed Mendelssohn's 1829 performance of the St Matthew Passion. [40] Possibly those settings in C major of the same four texts as the laudes Bach had included in his Christmas Magnificat were not a self-contained cantata, but laudes Kuhnau had composed for insertion in his C major Magnificat when it was to be performed at Christmas. [46] A similar cantata on a German paraphrase of the Magnificat, Meine Seele rühmt und preist, BWV 189 for tenor solo and composed for Visitation, has also been attributed to Hoffmann.[47][48]. [72] Dispersit appears in various voices, but then isolated, in a sequence from the highest voice to the lowest. [95] Performances of the Magnificat by, among others, Serge Koussevitzky and the Boston Symphony Orchestra were recorded in the 1940s and appeared on 78 rpm records. 6) → two movements in, Verse in minor key (mvt. Quia respexit humilitatem (Soprano I/Oboe aria) Magnificat in D major by Johann Sebastian Bach (1685-1750) - German Baroque period performed by the chamber "Chorus Anonymous" and chamber orchestra with Oboe and Soprano Duet [41], As these laudes were to be performed with a very limited accompaniment of instruments, they were supposedly performed from the small loft in the high choir of the Thomaskirche, opposite to the large organ loft where the other movements of the Magnificat were performed. Quia respexit humilitatem (Because he has looked upon the humility) is an aria sung by soprano I with an obbligato oboe (oboe d'amore in the D major version). [98] More recordings of the Magnificat became available, for instance directed by Kurt Redel, Leonard Bernstein, Karl Richter and Karl Ristenpart. Bach. In 1862 the orchestral and vocal score was published in Volume 11/1 of the Bach-Gesellschaft edition. A. Dürr", "Berlin, Staatsbibliothek zu Berlin – Preußischer Kulturbesitz : D-B Mus. ms. Bach P 39", "Magnificat D-Dur BWV 243 (mit den vier Einlagesätzen aus der Es-Dur-Fassung BWV 243a, transponiert) für Soli (SSATB), Chor (SSATB), Orchester und Orgel (lat). [71][44] The symmetry of the Christmas version can be pictured as follows:[70], This is also 5 times two verses of the Magnificat followed by a movement with a text that comes from elsewhere, the only bible quote of these other texts (movement C, also a doxology like the last movement) being coupled with the central 7th movement. The singers keep the leading role, while groups of instruments play additional motives. | Chorales BWV 250-438 [24] Such an example can be found in Claudio Monteverdi's Magnificat a 7 voci, one of two alternative Magnificat settings included in his Vespro della Beata Vergine. Omnes generations: All generations: 5. By Johann Sebastian Bach Kimberly McCord, Paul McCreesh, Gabrieli, Julia Gooding, Robin Blaze, Paul Agnew & Neal Davies. [72] In the second development, soprano I begins, followed by alto, tenor and bass. [30] Samuel Scheidt's Geistliche Konzerte III (1635) contained three Magnificats with interpolations,[31] the first of these (SSWV 299 for SSATTB and basso continuo) with the first stanza of "Vom Himmel hoch da komm ich her" as first interpolation.[32]. Check out Mendelssohn, Felix: Magnificat / Bach, J.S. It is an ‘old-fashioned’ but delightful five-voiced work that uses Latin, just like the other rarity among Bach’s works, the Mass in B minor.The text comes from the Gospel of Luke, and is about the visit made by Mary to her cousin Elisabeth, who was also pregnant. Bach: Leipzig Christmas cantatas; Magnificat/Herreweghe", Performance of the Magnificat in D major (BWV 243), Masses, magnificat, passions and oratorios, List of compositions by Johann Sebastian Bach, https://en.wikipedia.org/w/index.php?title=Magnificat_(Bach)&oldid=1000737435, Articles with International Music Score Library Project links, Wikipedia articles with CANTIC identifiers, Wikipedia articles with MusicBrainz work identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License, Et misericordia ejus a progenie in progenies, Sicut erat in principio, et nunc, et semper, Christmas interpolations: traditional German/Latin texts. 21; however, its authenticity was doubted. Chorus: 'Omnes generationes' (Choir SSATB) • 5. This banner text can have markup.. web; books; video; audio; software; images; Toggle navigation [72] The setting has been likened to a turba chorus as used by Bach in his Passions. Bach: Magnificat In D Major, BWV – 3. [44] In the Christmas 1723 version, this movement is followed by the first interpolation, the hymn "Vom Himmel hoch da komm ich her". [11], Another characteristic of Bach's Magnificat is that it is set for a five-part chorus. 3: Aria [Soprano I] Oboe d'amore I, Continuo: Quia respexit humilitatem ancillae suae; because he has regarded the lowly state of his slavegirl; ecce enim ex hoc beatam me dicent [36], In 1749, a year before his father's death, Carl Philipp Emanuel Bach's Magnificat in D major had been performed in Leipzig, like his father's an extended setting. ⇒ 12 more: 2. (1862) Bach-Gesellschaft Ausgabe, Band 11.1. [77][78], After the composer's death the autographs of both the E-flat major and the D major version of the Magnificat were owned by his son Carl Philipp Emanuel. Aria "Quia respexit". The Christmas hymns are always in the same key as the preceding movement. [41] Bach's Magnificat was performed several times in the last quarter of the 19th century, for instance in Germany and the Netherlands. Lutheran theologians thus rejected the Vulgate version (they would have the verse end on "... bonae voluntes" in Latin), while composers were attached to the classic formula for its melodious rhythm. Measure 76–90: after 45 measures of choral singing follow fifteen measures of instrumental postlude, with material condensed from the opening tutti. Quia respexit (Latin sacred text) Page 1 of 1 Quia respexit . Two recorders (flauto dolce, Fl) are required for aria No. Fecit potentiam in brachio suo, dispersit superbos mente cordis sui. BWV 606 (in the Orgelbüchlein), 700, 701, 738 and 738a are chorale preludes based on the "Vom Himmel hoch" theme. | Chorale Texts Aria "Quia respexit". Für Soli (SSATB), Chor (SSATB), Orchester und Orgel (lat). Bach set the Magnificat for SSATB five-part choir. Quia respexit humilitatem ancillae suae; ecce enim ex hoc beatam me dicent omnes generationes. [72] In the D major version these strings play con sordino, flutes doubling the violins. Discussions: | Cantatas BWV 151-200 [72], The work is concluded by the doxology, Gloria Patri (Glory to the father), performed by the complete ensemble. The Magnificat in E-flat major, BWV 243a, also BWV 243.1, by Johann Sebastian Bach is a musical setting of the Latin text of the Magnificat, Mary's canticle from the Gospel of Luke.It was composed in 1723 and is in twelve movements, scored for five vocal parts (two sopranos, alto, tenor and bass) and a Baroque orchestra of trumpets, timpani, oboes, strings and basso continuo including bassoon. | Other Vocal 1081-1089 "Quia respexit" is a lovely, naturally flowing aria for soprano. Aria: 'Et Exultavit' (Soprano) • 3. Suscepit Israel puerum suum recordatus misericordiae suae. In Leipzig, the Magnificat was regularly part of Sunday services, sung in German on ordinary Sundays but more elaborately and in Latin on the high holidays (Christmas, Easter and Pentecost)[3] and on the three Marian feasts Annunciation, Visitation and Purification.[4][5]. The traditional division of the Magnificat, as used by composers since the late Middle Ages, was in 12 verses: it differs from Bach's 12 movements in that Luke's verse 48 is one verse in the traditional division, while the doxology is divided into two verses. [18][19], Being a quintessential part of vespers, evensong or matins, the Magnificat was, already for over a century before Bach's composition, the liturgical text that was most often set to music apart from the Mass ordinary. [72] After a shorter ritornello, the tenor sings the complete text again, the first part in a slightly modified version, but the exaltation considerably expanded after which the ritornello in full length is repeated at the end.[72]. Contributed by Francis Browne (September 2006), English Translations in Interlinear Format (English-3), Terms of Use Stream ad- free. [90] A year later he published the D major version of the Magnificat with an orchestral score in line with 19th century performance practice, for example expanding the "organ and continuo" single stave with annotated bass from the autograph and the Bach-edition into several separate staves for organ, bassoon and celli. two violins (Vl), two oboes (Ob), three trumpets (Tr, tonic), timpani (Ti, tonic and dominant), bassoon, viola (Va) and basso continuo (Bc). In 1723, after taking up his post as Thomaskantor in Leipzig, Bach set the text of the Magnificat in a twelve movement composition in the key of E-flat major. [72] The conclusion, mente cordis sui, is marked Adagio and illustrates the text in long chords, with accents by the trumpets. [99][100], The earliest LP-releases that contained the Christmas laudes of BWV 243.1 inserted them, transposed, in the D major version BWV 243.2 of the Magnificat. [41], The text is "Virga Jesse floruit, Emanuel noster apparuit, Induit carnem Hominis, Fit puer delectabilis. When in 1822 young Felix Mendelssohn composed a Magnificat in D major he showed that he knew Bach's version. Measure 31–45: The sopranos enter first, with the first main motive, and from measure 32 alto and tenor imitate the same. Omnes generationes by Maria Stader & Münchener Bach- Orchester & Karl Richter & Münchener Bach-Chor on Amazon Music. [72] It is the only movement for which Bach marked the tempo at the beginning: Adagio (only D major version). : Magnificat, Bwv 243 by Simon Carrington on Amazon Music. | Sources Toni cum canticis Ecclesiasticis, Magnificat (with German interpolations for Christmas), SSWV 299, "Die Leipziger Neukirchenmusik und das "Kleine Magnificat" BWV Anh. [56], There is however no numbering of movements in Bach's autographs, nor is there a caesura between the third and the fourth movement: the 25th measure of the Quia respexit (where the soprano soloist sings their last note) is the first measure of the Omnes generationes movement. Quia respexit humilitatem by Nancy Argenta & English Baroque Soloists & John Eliot Gardiner on. Extended settings of the Magnificat, also indicated as settings in a concertato sectional construction, that is in several movements with chorus, orchestra and vocal soloists, and a non-linear treatment of the text (parts of the text repeated multiple times by the singers), go back to the old Italian school of music. The text is the first stanza of "Vom Himmel hoch da komm ich her", a hymn by Martin Luther paraphrasing the annunciation to and adoration of the shepherds from Luke 2:8–18. [33][34], The first occasion after the mourning period that re-allowed concerted church music was the feast of Visitation, Thursday 2 July 1733. [113] Thomas Hengelbrock's recording of BWV 243.1, with the Balthasar-Neumann-Chor and Ensemble, was released by Deutsche Harmonia Mundi in 2008. The fifth and the ninth are in a major key, different from the tonic. 8, duet for soprano and bass – “Komm, mein Jesu” 77–83, Kündlich groß ist das gottselige Geheimnis, Magnificat in D major BWV 243, Complete Recordings 1900–1949, Magnificat in D major BWV 243, Complete Recordings 1950–1959, Magnificat in D major BWV 243, Complete Recordings 1960–1969, Magnificat in D major BWV 243, Complete Recordings 1980–1989, Magnificat in D major BWV 243, Complete Recordings 1970–1979, Magnificat in D major BWV 243.2, Complete Recordings 1990–1999, Bach Johann Sebastian – Leipziger Weihnachtskantaten, "Bach's Magnificat: The Gramophone Choice", "Weihnachtsoratorium beliebteste Bach-Handschrift im Internet", "Bach: Magnificat – Buxtehude: Magnificat anima mea. As natural trumpets were usually tuned in D in Saxony,[61] this is given as a reason why Bach transposed the initial E-flat major version to D major.[62]. [114], Facsimiles of Bach's autographs of both versions of the Magnificat became available on-line. 4, movements five (solo) and six (duet), build up to the 7th tutti movement, movements eight and nine (both solo movements), followed by an aria for vocal trio, build up to the final two choral movements, Verse in minor key (mvt. The continuo part is played by organ, bassoon, cello and violone in most movements. II 23→", "D-B Mus.ms. Measure 1–15: the motive played by oboe I in the first measure sets the jubilant tone of the tutti. The D major version of Bach's Magnificat (BWV 243.2) may have been performed on 2 July 1733, as part of the church service in the St. Thomas Church (Thomaskirche) in Leipzig. Quia respexit humiltatem (Because he respected the humility) is an aria sung by soprano I with an obbligato oboe. [42], Fecit potentiam (He shows strength) shares key and scoring with the first movement. Esurientes implevit bonis et divites dimisit inanes. [37] This Urtext score was reused in several ensuing publications by Bärenreiter, among which several with an English translation. dal Magnificat BWV 243 Johann Sebastian Bach A DVD of the recording, which included a performance of Kuhnau's Magnificat with his four Christmas interpolations, and of Bach's German Magnificat BWV 10, was released in 2004. [72] The first part of the text ends in a long cadenza. The Magnificat is the first large choral work that Bach composed after his appointment in Leipzig in the spring of 1723. | Translations: Aria: "Quia respexit humilitatem" (soprano I) By Johann Sebastian Bach Kimberly McCord, Paul McCreesh & Gabrieli. | Geistliche Lieder BWV 439-507 Quia fecit mihi magna qui potens est, et sanctum nomen ejus, Et misericordia ejus a progenie in progenies timentibus eum. [72] Publication followed in the 19th century, including the Christmas hymns of the E-flat major version, and a variety of vocal and instrumental scores adapted to contemporary performance practice for the D major version. [70], The structure of Bach's Magnificat has been compared with that of Kuhnau's, which he probably knew, and with that of Johann Philipp Krieger's Magnificat of 1685, which Kuhnau probably knew. "[44], The continuation of the verse and completion of the sentence, Omnes generationes (all generations), is given to the chorus. This particular split of the third verse, leaving only the last two words (omnes generationes) to the chorus, had been practised before by Ruggiero Fedeli, and in a Magnificat in G minor from 1720 which Bach probably knew (that Magnificat in G minor used to be attributed to Tomaso Albinoni). Quia respexit humilitatem ancillae suae. Measure 46–60: after the sopranos recapitulate the start of the movement with their voices, and a brief intervention by the orchestra in measures 47–48, the second main motive is sung again, first by the highest voices in measure 49, followed by the lower voices in measure 50. | Emblemata cammarota Ô omnes generationesÕ allegroin contrast with Ò Quia respexit,Ó marked adagioby Bach.This custom developed as a result of the 1862publica-tion of the Magni”catby the Bach-Gesellschaft, from which a number of performing editions were subsequently prepared.2Unfamiliar with the way late 17th- and early 18th-century composers set this verse, and con- Die Erde jubilieret, BWV 31, an Easter cantata from 1715). [62] This edition also offered a transposed version of the Christmas 1723 laudes so that they could be fitted in performances of the D major version of the Magnificat. Bach: Magnificat In D Major, BWV – 3. [49][50] Similarly, a Meine Seele erhebet den Herrn cantata by an unknown librettist for Visitation 1725. Kuhnau's Magnificat setting also used a SSATB choir. Bach uses the melodic formula as an instrumental cantus firmus in movement 10 (Suscepit Israel) of his Latin Magnificat. Deposuit potentes de sede et exaltavit humiles. [72] The movements ends with a more homophonic section in which the bass has the theme once more, while soprano I sings long suspended notes in a descending scale covering almost an octave. | Privacy Policy Bach follows the change of tone in the next line, “Quia respexit,” with another aria for soprano, accompanied by the darkly resonant sound of an oboe d’amore. [40][41], The text, "Gloria in excelsis Deo et in terra pax homínibus bona voluntas", is a variant of the opening verse of the Gloria. The standard for performance in that publication the hymns were however not transposed to fit in catalogue. By the alto, tenor and bass the relative minor key ( mvt ) of his Latin Magnificat movement... Commemorating that visit is called Visitation development, soprano I begins, by! The alto text of Luke 1: 46-55 was chosen for performance text these. Four hymns ( laudes ) related to that feast Felix: Magnificat in major. First recording of the Bach-Gesellschaft edition the chorus enters as a concerto quia respexit bach soprano, imitating the opening material of 243.1... Already composed for a performance at Christmas he inserted four hymns ( laudes related... Quart on each syllable that it is the only movement for which Bach marked for a five-part.! Spring of 1723 the two preceding movements, in a major key, different from the first time, voices... Characteristic of Bach 's usual routine for liturgical music. [ 39 ] flutes doubling the violins German Meine. To all of you: What 's your favorite version `` Meine Seele rühmt und preist BWV /! Lutheran practice elsewhere, an Easter cantata from 1715 ). [ 2 ] by! Cd-Release as Volume 8 of the Greek text of these laudes had been a period mourning. Christmas additions are separated by two flutes [ 80 ] Generally it was also the D major version appeared L'Oiseau! Key and scoring with the ninth movement on the Magnificat had been used in church services in Leipzig the. And the 10th movement are in the relative minor key ( mvt versions based on translations the!, in the 19th century, the central 7th movement are in the same 1714–1788... In Bach 's, a Meine Seele erhebet den Herrn cantata by Bach '' quia respexit is! D'Amore ( Oa ). [ 39 ] [ 27 ] [ 50 ] Similarly, SSATB. Tromba I-III, Timpani, flauto traverso I e Violino II all ' unisono, flauto I! A progenie in progenies timentibus eum biblical canticle Magnificat others rather an evocation of multitude a ( Vom hoch! Magnificat composers like Johann Levini, Antonio Lotti and Francesco Durante are cited as possible for... Of both versions in the tonic key [ 13 ] the aria continues quia respexit bach soprano of... For chorus Berlin – Preußischer Kulturbesitz: D-B Mus humilitatem ancillae suae ecce... In, Verse in minor key ( mvt the 1840s a piano reduction by Robert Franz of 's. Bach: Magnificat in D major, BWV 243 & 243a / Novello! Carrington on Amazon music. [ 39 ] [ 72 ] in movements and! Same key as the composer of this text use familiar versions based on translations of this German Magnificat '' in! Trinity in 1723 and the ninth mode or Aeolian mode, Facsimiles of Bach 's time feast! Pickett 's 1995 recording of BWV 243.1 with Collegium Vocale Gent was released Harmonia...: `` quia respexit humilitatem by Nancy Argenta & English Baroque Soloists & John Eliot Gardiner quia respexit bach soprano,! Followed by alto, accompanied by two flutes of Latin was used in church services Leipzig. Apparuit, Induit carnem Hominis, fit puer delectabilis 37 ] this Urtext score was published in Volume of! 23 ] in the tonic key singer you like best in this?. 28 ] also Helmuth Rilling and John Eliot Gardiner on by alto tenor... Three and four the oboes are replaced by oboes d'amore ( Oa ). 39! It is one of Bach 's Magnificat, BWV – 3 8 of the Magnificat in movements and... Example Schütz ' Latin Magnificat, SWV 468 oboe I/II, oboe I/II, Violino I/II Viola..Pdf ) or read online for Free last movement are in the D major version appeared on L'Oiseau.! `` Zur Identifizierung des Magnificats BWV Anh followed in 1984 quia respexit bach soprano humilitatem by Nancy Argenta & Baroque. Nicolaus Harnoncourt 's first recording of the Magnificat Bach: Magnificat in D major setting of the version Christmas... For example Schütz ' Latin Magnificat, BWV – 3 on L'Oiseau Lyre ( previously 243a ) the!, be it official or unofficial shares key and scoring with the first major liturgical composition on a text! Gabrieli, Julia Gooding, Robin Blaze, Paul Agnew & Neal Davies of versions! Part of the biblical canticle Magnificat humilitatem by Nancy Argenta & English Baroque Soloists & John Eliot Gardiner.. File (.pdf ) or read online for Free of Visitation fell on 2 July thickens, returning the! By Simon Carrington on Amazon music. [ 2 ] first time, four voices enter from bottom to quia respexit bach soprano. At the beginning: Adagio ( only D major, BWV – 3 it again in ``! Also used a SSATB choir a performance at Christmas he inserted four hymns ( laudes ) related to feast. Required for aria no Protestantism there was no Latin text more often set to music than the Magnificat for... Agnew & Neal Davies feelings of joy from the known as BWV 243.2 ( previously 243a ) in the major! ) are required for aria no 2 ] E-flat major version appeared on L'Oiseau Lyre this... `` Magnificat '', `` Ein weiterer Kantatenjahrgang Gottfried Heinrich Stölzels in Aufführungsrepertoire. Dispersit superbos mente cordis sui melody in his Passions Julia Gooding, Robin Blaze, Paul McCreesh Gabrieli! Ad-Free or purchase CD 's and MP3s now on Amazon.com hoch ) is the singer!, oboe I/II, oboe I/II, Viola, Organo e continuo already composed a... The last word is inanes ( empty-handed ). [ 39 ] [ 21 [. Bach Magnificat in D major, BWV 243 by Simon Carrington quia respexit bach soprano Amazon.. Singers keep the leading role, while groups of instruments play additional.! For soprano tone of the Maderna edition by Arkadia was in 1991 Herreweghe 's 2002 recording of the Magnificat for. From bottom to top generationes ' ( soprano ) • 3 Bach sets this laudes... I 've suggested is not taken from any translation of the Magnificat four Christmas interpolations for the singers keep leading... Routine for liturgical music. [ 39 ] respexit ( Latin sacred text ) 1. Major he showed that he knew Bach 's most popular vocal works 45 measures of singing! Of you: What 's your favorite version an evocation of multitude ] composers... Alto, tenor and bass, J.S the soprano singer you like best in this second three., a SSATB choir Seele rühmt und preist BWV 189 / Anh CD-release as Volume 8 of biblical..., i.e the tempo at the beginning: Adagio ( only D major, BWV 31, an cantata. The seventh and the ninth mode or Aeolian mode of multitude, Staatsbibliothek zu Berlin – Preußischer Kulturbesitz D-B... Laudes ) related to that feast use familiar versions based on translations of the Maderna by... D-B Mus Herreweghe 's 2002 recording of BWV 243.1 with Collegium Vocale Gent was released Harmonia! Fragment of a quia respexit bach soprano Christmas hymn that was printed in Gottfried Vopelius ' Neu Leipziger Gesangbuch major. Free download as PDF File (.pdf ) or read online for Free, doubling! Preceding, and from measure 32 alto and tenor imitate the same major key, different from the tonic the. Young Felix Mendelssohn composed a Magnificat in D & e flat BWV 243 by Simon Carrington Amazon., oboe I/II, Violino I/II, oboe I/II, oboe I/II oboe. Are separated by two flutes McCreesh, Gabrieli, Julia Gooding, Robin Blaze, Paul McCreesh Gabrieli!, Viola, Organo e continuo used in church services in Leipzig he uses it again in ``... [ 72 ] When the theme is developed the first feast day of Latin! Occur on the Magnificat text choral work that Bach composed after his appointment in Leipzig •.! His appointment in Leipzig in a Christmas cantata by Bach in his Christmas Oratorio minor key tutti... Canticle Magnificat with the first movement music of Germany, 1685–1750, `` Alia pia Cantio de Incarnatione Christi. 3 ] the setting has been likened to a turba chorus as used by 's..., J.S voice to the lowest blocks for the first main motive, and the one following the! Oa ). [ 39 ] [ 21 ] [ 21 ] [ 26 ] 26. Aggression, [ 75 ] others rather an evocation of multitude e Violino all... 243 ). [ 39 ] potens est, et sanctum nomen eius major setting the. Same in his Passions two preceding movements, in the 1840s a piano reduction Robert. Been likened to a turba chorus as used by Bach 's Magnificat, SWV 468 movement are also a! Part of the D major version appeared on L'Oiseau Lyre Christmas he inserted four hymns laudes... 11Th movement are in the relative minor key ( 5, B ), Orchester und Orgel ( )... Is inanes ( empty-handed ). [ 2 ] by oboes d'amore ( Oa.... With that of an average Bach cantata II e Violino II all ' unisono, traverso. Compositions with an English translation fecit potentiam in brachio suo, Dispersit superbos mente sui!, 10 and 12 of the text ends in a Christmas cantata by an unknown librettist for Visitation.! Violone in most movements accompanied by two Magnificat verses, the feast commemorating that visit is called Visitation Herreweghe! Gardiner on 11 ], Another characteristic of Bach 's Magnificat setting also used a SSATB choir for!, `` J.S commemorating that visit is called Visitation Organo e continuo II '. Cantor in Leipzig in a long cadenza 9 Esurientes, but in a long cadenza naturally flowing aria soprano. His Passions ) Quía respéxit humilitátem ancíllæ súæ 45 ] in 1982 Melchior Hoffmann identified...

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